In the contemporary art group exhibition In the Name of Flowers currently exhibited at the Pearl Art Museum, eight female artists including Ai Jing, Bi Rongrong, Zhong Sujun, Asami Kiyokawa, Klara Kristalova, Liang Ying, Sun Yue, and Zhang Zipiao trigger the audience empathy from a unique perspective and in a special creation language to make audience further consider the connotation expressed in the works.
Some female artists and their works at the contemporary art group exhibition In the Name of Flowers
Meanwhile, the “Time Theater: Zhai Yongming’s Exhibition of Literature and Photography” held at the Heart Hall of Pearl Art Museum/Light Space provides an opportunity for audiences for the first time to learn about the legend life and unique creation world of this “white night muse”
Photography works of Florida series by Zhai Yongming (2018-2019), four panels
Open the photo album of art history, famous contemporary female artists such as Georgia O'keeffe, Frida Kahlo, Yayoi Kusama, and Marina Abramović have presented an art world that is more diversified and distinctive to the public from respective unique perspectives in their own times. Currently, the art creation breaks the gender restriction. An increasing number of excellent female artists begin to stand out and rise to pioneers of creation. From the objectives being gazed to self-awareness and pioneers of independent creation, they are continuously moving forward.
At the afternoon of this Sunday, Ms. Lu Rongzhi, curator, critic, and “Mother of China Contemporary Art Curation” will be invited to look back on the female artists both home and abroad and explore their yesterday’s and today’s art paths at the Heart Hall of the Pearl Art Museum.
Lu Rongzhi (Victoria Yung-Chih Lu)
Famous international curator and critic
She is the current professor of PhD Class of Creative Industry of College of Management at Shih Chien University, contributing editor of The Artist, founder and creative director of VIKI LULUHOUSE, class tutor of M.A. in Movie Business and Management of Superior School of Cinema and Audiovisual of Catalonia (ESCAC), independent film producer and director, and screenwriter and director of Re: Promises.
She translated the word “curator” into Chinese as “策展人”. She is the first female critic who writes art reviews in Chinese in China contemporary art circle and first female curator. She is also the creator of Animamix theory and biennial.
She has written Post-Modern Phenomena in Art, Perspective of Contemporary Art, History of Contemporary Female Art in Taiwan, Encountering the Others, The Rising New Moon, Post-Modern Art: “Break”, Virtual Love: Contemporary Ultra New Vision, Entry Gate: Chinese Aesthetics of Heterogeneity, VikiLulu Meets the Future, Art Worker, and Trace the Ancient Times: Biography of Fu Shen.
